Nearly a quarter century ago, Moby released ‘Play’, an album that not only catapulted electronic music into the mainstream but also redefined the role of commercial syncs in the music industry. Released on May 17, 1999, ‘Play’ became a staple in ads across the board—from American Express to Bailey’s Irish Cream—making it a ubiquitous presence in the Y2K era.
Initially, the album’s reception was lukewarm, with Moby contemplating a career shift to teaching. However, the strategic use of licensing its tracks breathed life into its sales, eventually selling 2.7 million copies in the U.S. and marking a pivotal moment for electronic music. The album’s tracks, like the Gwen Stefani-featuring “South Side,” became chart-toppers and firmly established Moby in the music scene.
In a candid conversation, Moby, now 58, shares his journey with no reservations. “There was no real strategy behind the album,” he admits, highlighting a rather organic rise fueled by genuine interest in his music. Today, Moby is not only recognized for his musical genius but also for his impactful work in animal rights and environmental advocacy.
Reflecting on his career and life, Moby discusses the superficial allure of fame, which he experienced firsthand. “Fame is stupid,” he asserts, emphasizing the emptiness that often accompanies the celebrity lifestyle. Despite this, his fame enabled him to advocate for causes close to his heart, using his platform to effectuate positive change.
Looking ahead, Moby shows no interest in touring the U.S., preferring intimate events that align with his philanthropic goals, like his upcoming low-key anniversary celebrations in Los Angeles.
As Moby continues to influence the music industry and beyond, his reflections offer a deep dive into the life of an artist who has seen the pinnacle of fame and emerged with a desire to contribute to the greater good.
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